34th and Habersham Street mural installation no. 1: Katherine Sandoz | February 2012
Katherine Sandoz painted an abstracted landscape of Turtle Island, a hammock along Georgia's Atlantic coast fourteen miles due east from the wall on 34th Street.
Curatorial · 2011–2015
SeeSAW (See Savannah Art Walls), Savannah, GA (2011-2015), was co-founded by James Zdaniewski and Matt Hebermehl. The goal of SeeSAW was to synthesize local art, commerce, and civic participation through public art installations.
Under the banner of SeeSAW, Hebermehl and Zdaniewski worked with Ellen Harris of Savannah's Metropolitan Planning Commission to create a mural ordinance after works of art on private property were arbitrarily buffed by the city and/or resulted in illegal signage citations for property owners. At that time there was no way to apply for a permit to paint a mural on private property in the public view. The first iteration of the mural ordinance was approved in late 2011, under that version SeeSAW successfully petitioned for a designated mural wall at 34th and Habersham Street, the first wall of its kind in Savannah. The ordinance went through several reviews over the course of 2012 and a final version was approved and officially implemented into city planning by Savannah's City Council in January of 2013. Unfortunately, in the late summer of 2014, the SeeSAW mural wall at 34th and Habersham Street was demolished for a condominium development. The developer was kind enough to let us salvage bricks from the wall and redistribute them to those who supported the cause.
During its formal existence, SeeSAW produced a total of seventeen works in four states.
James and Matt thank all of those who sacrificed, volunteered, contributed, and shared the moment; it meant the world and still does. It was a special time and place, you had to be there.
Katherine Sandoz painted an abstracted landscape of Turtle Island, a hammock along Georgia's Atlantic coast fourteen miles due east from the wall on 34th Street.
Over the course of a week in June 2012, Troy Wandzel invited the public of Savannah to sit and have their portrait painted along SeeSAW's mural wall at 34th and Habersham Street. Troy's mural installation added a layer of bright flower portraits onto artist Katherine Sandoz's abstract landscape of Turtle Island. Hundreds of community members braved the Savannah heat to participate in the installation, while over seventy portraits were painted.
Artist Adolfo "INOPE" Alvarado's mural installation at 34th and Habersham street personified Savannah as a mercurial maternal figure adorned with vines and an oceanic head dress while flanked by two trumpeters that referenced the Forsyth Park fountain.
David Ellis' work in Savannah in the early 2000's planted seeds of inspiration for Matt and James to form SeeSAW. Ellis' weeklong collaborative installation was an in memoriam celebration honoring the late Matthew Mascotte, affectionately known as Zeke. Mascotte was responsible for bringing Ellis to Savannah on multiple occasions for exhibitions and special projects with the Savannah College of Art & Design.
SeeSAW collaborated with Megan Luther and the late Francis Allen to create a one month long dual site installation of Before I Die… The walls were located at 109 MLK Jr. Blvd, and 31st and Waters Ave. BIDSAV was sponsored by AWOL, INC for the 2012 Savannah Urban Arts Festival (SUAF). Jerome Meadows also consulted on site locations.
31st and Waters location site sponsor: James Kirton · 109 MLK location site sponsor: Michael Brown
In February of 2014, the late artist Mike Williams repurposed exterior and public space at Green Truck Neighborhood Pub with the intent of giving neighbors and patrons the sense of satisfaction, to be in want of nothing. The reclamation and transformation of the drive-thru ordering kiosk represented a cupboard or pickling station stocked with a variety of "canned goods."
Location site sponsor: Josh and Whitney Yates of Green Truck Neighborhood Pub
The hexagonal pattern within the preexisting sun-shade at Kayak Kafe served as the stimulus for Walker's mural. The sunshade is prototypical of the building's midcentury modern design, which is characterized by simplicity, flat planes, and integration with nature. The mural reiterates these ideas, and utilizes the stagnant space between the edifice and sunscreen; flowing in and out of the shaded area and across the western facing wall like a wave.
Site and mural sponsor: Brendan Pappas and Mallie Clark of Kayak Kafe Midtwon
SeeSAW and Jose Ray teamed up with the West Broad Street YMCA's after-school art program led by Molly Lieberman to design a mural that embodied the spirit of the West Broad Y. The art was created in weekly workshops where kids discussed their favorite aspects of the YMCA and then created drawings based on these conversations. Matt Hebermehl, Jose Ray and Mike Williams then painted the mural inspired by the students' drawings.
SeeSAW presented a six night installation of selected poems from Jason Armstrong Beck's highly regarded, and much publicized, The Journal of Bison Jack. One poem was projected nightly for two hours onto the facade of Levy Jewelers, located at downtown Savannah's central intersection of Bull and Broughton streets.
Location site sponsor: Levy Jewelers and Suntrust Bank
COA followed up The Bull and Beast's call to, "look up," by asking viewers to "look in." A vacant storefront was transformed into a viewing portal for a seven night presentation of selected poems from The Journal of Bison Jack by Jason Armstrong beck.
Location site sponsors: Jeanne Svendson of Galerie 124, Karen Guinn, and Ben Carter
In July of 2015, Matt Hebermehl was hired by Adam Lindemann's Venus Over Los Angeles gallery to consult and assist on artist Katherine Bernhardt's mural installation. At the time, it was Bernhardt's first large scale mural.
Showing 9 highlights from a 78-image archive — the full captioned set carries over during production.
A memorial audio page for the late artist Mike Williams.
ListenEverything we still need before this wireframe is complete. Each item links to the spot on the page.